I work with photography as a way to hold what time tries to erase. My images move between intimacy and distance—quiet scenes, fragmented narratives, and portraits that feel like memories rather than documents. I’m drawn to what remains after something has passed: the trace of a gesture, the weight of a space, the tenderness and unease that lives beneath the surface.
My practice often circles themes of childhood, loss, and belonging, using a restrained visual language where atmosphere carries as much meaning as the subject. I build series slowly, returning to places and motifs until they become a personal mythology—part autobiography, part fiction. The work is not an attempt to explain, but to create a space where the viewer can recognize their own inner landscape.
Alongside my fine art practice, I collaborate with editorial and commercial clients, bringing the same attention to mood, narrative, and detail into commissioned work.